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The self-deprecating chorus of “Runaway,” for example, goes, “Let’s have a toast for the douche bags/Let’s have a toast for the a‑‑holes/Let’s have a toast for the scumbags/Every one of that them I know/Let’s have a toast for the jerk-offs/That’ll never take work off.” Kanye and his guest contributors frequently use the n-word as well. At least half of the 13 songs contain f-words, often paired with “mother.” S-words are nearly as frequent, as are any other swear words you can think of but shouldn’t. Harsh vulgarities pepper nearly every track. Speaking of blood and tears, “Power” perhaps suggests that an egotistical man is flirting with the idea of suicide: “Now this’ll be a beautiful death/I’m jumpin’ out the window/I’m lettin’ everything go.” Several songs employ spiritual language, such as when Kanye sings, “May the Lord forgive us” on “Devil in a New Dress.” “Who Will Survive America” suggests that our nation is plagued by spiritual problems (“Us living as we do, upside down/ … America is now blood and tears instead of milk and honey”). Then, albeit somewhat sarcastically, he admits that the proper response may be to “run away as fast as you can.” On “Runaway,” Kanye gives some evidence that he understands, at some level, that’s he’s done plenty of bad stuff in life (“I always find something wrong/ … I’m so gifted at findin’ what I don’t like the most”). Despite that failure, he wants to influence his daughter positively: “She need a daddy/Baby, please, can’t let her grow up in that ghetto university.” “Sorry for the night demons still visit me,” he sings, “The plan was to drink until the pain over/But what’s worse, the pain or the hangover?” Poignant lyrics on “All of the Lights” tell the story of a man who longs to see his baby daughter but is unable to do so because he physically abused her mother.
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“Dark Fantasy” describes Kanye’s realization that drinking won’t help him tame his demons-be they literal or figurative.
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There’s certainly no danger of Plugged In praising My Beautiful Dark Twisted Fantasy too much. Richards calls Kanye’s fifth effort “perhaps this century’s definitive portrait of torment, vanity, self-delusion, and pathos.” Slant Magazine’s Matthew Cole says simply, “I see virtually no danger of critics praising My Beautiful Dark Twisted Fantasy too much.” Nobody halfway sane could have made this album.” Paste contributor M.T. … Yeezy goes for the grandeur of stadium rock, the all-devouring sonics of hip-hop, the erotic gloss of disco, and he goes for all of it, all the time. Rolling Stone gave it a rare five-star review, with writer Rob Sheffield saying it was Kanye’s “most maniacally inspired music yet, coasting on heroic levels of dementia. Now he’s back with an album that showcases both his explosive, Hindenburg-sized ego and his willingness to indulge in merciless self-flagellation.Ĭritics are hailing My Beautiful Dark Twisted Fantasy as Kanye’s best work ever. Publicly derided and belittled, the mercurial musician went into a season of self-imposed exile. A little more than a year prior to this release, Kanye West raised the ire of, well, just about everybody with his ill-advised crashing of Taylor Swift’s acceptance speech at the 2009 MTV Video Music Awards.